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Ke Nie
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Profile
MA: University of California, San Diego, Sociology, 2021
MA: Peking University, Journalism, 2014
BA: Peking University, German Language and Literature, 2012
BA: Peking University, Economics, 2012
Research Interests: Economic Sociology, Political Sociology, Culture and Creativity, Organizational Identity & Market Categories, Computational Social Science
Personal Website: https://kenie.netlify.com/
Curriculum Vitae: https://kenie.netlify.com/files/KeNie_CV.pdf
I am a Ph.D. candidate in sociology at the University of California, San Diego, with a Specialization in Computational Social Science. I am an organizational and economic sociologist who uses computational methods, among others, to study culture, creativity, and categories.
My research focuses on the social and organizational foundation of creativity and innovation. Using the creative industries as my empirical focus, I show how political and economic institutions influence creative production strategy, shape creative outputs, spawn or hinder product innovation, and reform producer identities or redefine market categories. For example, my award-winning article published in Poetics uses Music Information Retrieval (MIR), neural networks, and topic modeling algorithms to study how censorship reshaped music genres in China. In a similar vein, another article of mine, published in Chinese Sociological Review, reveals how artistic innovation is curbed by monetization programs. I am also a keen advocate of bringing insights from sociological and organizational studies into the development of technical tools: in a recent paper accepted into the International Society for Music Information Retrieval Conference Proceedings, I address the importance of deeming music genres as mutable social constructs in training machine-learning driven genre classifiers.
Building upon these works, my dissertation project examines how creativity is organized, regulated, and practiced in the Chinese popular music industry in the wake of its extensive digitization. The project is funded by American Sociological Association Doctoral Dissertation Research Improvement Grant (ASA DDRIG), among others, and it was awarded the Honorable Mention for the Geoffrey Tootell Mathematical Sociology Outstanding Dissertation-in-Progress Award at the American Sociological Association.
Publications
Nie, Ke. 2022. “Bowing to Five Pecks of Rice: How Online Monetization Programs Shape Artistic Novelty.” Chinese Sociological Review (online first).
Nie, Ke. 2021. “Disperse and Preserve the Perverse: Computing How Hip-Hop Censorship Changed Music Genres in China.” Poetics 88:101590.
Graduate Students
- Ezgi Akgüloğlu
- Aleli Andres
- Soran Artin
- Jesus Ayala-Candia
- Daniel Belback
- Ruby Ben
- Davide Carpano
- Tito Carvalho
- David Chao
- Fenghua Chen
- Yunpeng Chen
- Eunchong Cho
- Zosia Cooper
- Elena De Leo
- Lindsay DePalma
- Raphael Eder
- Weiai Fang
- Rebecca Franklin
- Alejandra Fregozo-Vargas
- Fan Fu
- Andrea Garcia
- Camila Gonzalez Paz Paredes
- Ross Graham
- Emma Greeson
- Katie Hale
- Melissann Herron
- Zian He
- Rowan Hildebrand-Chupp
- Hart Hornor-Jones
- Doreen Hsu
- Yen-Ting Hsu
- Chengguang Hu
- Ann Jiang
- Kelly Shea Jones
- Jinhyuk Kim
- Min Ji Kim
- Fatima Khayar Cámara
- Andrea Kvietok
- Hee Eun Kwon
- Dasom Lee
- Mariana Lopez
- Adriana Lopez Acle Delgado
- Ana Lopez-Ricoy
- Maya Machado
- Bernardo Mackenna
- Ayumi Matsuda
- Carolina Mayes
- Seth Merritt
- Elizabeth Miller
- Iman Muñiz
- Rasha Naseif
- Natalie Novick
- Caroline Petronis
- Erick Ramirez
- Stephen Reynders
- Germano Ribeiro Fernandes Da Silva
- Elizabeth Riley
- Elari Rizkallah
- Jonathan Ruiz
- Sevin Sagnic
- Olivia Sanchez
- Kea Saper
- Tannistha Sarkar
- Lucas Sharma
- Karina Shklyan
- Samuel Smith
- Panayiotis Sofocleous
- Sarah Stembridge
- Zahra Syarifah
- Yasemin Taskin Alp
- Samantha Tesfaye
- Victor Verde Neri
- Beatrice Waterhouse
- Sophie Webb
- Aaron Widener
- Benjamin Wills
- Jingjia Xiao
- Shamil Zainuddin
- Bolun Zhang
- Yilin Zhu